![]() ![]() The application wants to import all the footage into the library by default, which essentially creates a duplicate of the footage. But, if you don’t make the needed changes before you start editing, your hard drive will fill up quickly. I would say that Final Cut doesn’t intimidate you as much as Premiere Pro or DaVinci Resolve does when opening it up for the first time. It’s quite impressive to think Final Cut is an Apple-produced piece of software, and DaVinci does this by itself. It’s done in the background if you didn’t uncheck the box during import.ĭaVinci Resolve also has this feature, and it is on par with Final Cut here. Proxies need to be generated, but once that’s done, it’s easy to flip between the raw footage and proxy footage in the timeline.įinal Cut does this almost automatically. Premiere Pro requires the most work before you can actually move around the timeline with ease. But, what differs is the speed at which it does this and if your computer can handle what you’ve given it to process. ![]() Media is imported, and it’s not hard to get started scrubbing through and moving clips into the position you want. Ease of Use SpeedĮach one of these has a timeline which you edit with. I also consider what each one of these brands stand for, from my personal perspective. This not only provides extended recorded times for long form productions or recording events, but gives you the added security of always having a back-up to your camera recording.Cost is also a factor, so it’s worth knowing what you’ll pay for in the long run, let’s say, for the next 10 years. SSD media also provides more GB per $ than camera media cards. A core principle of Atomos devices is to provide much more flexibility in terms of recording codec, resolution, and frame rate than is normally available with internal recording. ![]() With Ninja V the only limitation to how much you can record is the size of the SSD. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Measuring 8cm long, 7.5cm wide and weighing as little as 88g, the custom-built drive neatly fits into the Ninja V without impacting the overall footprint of the device. ![]() The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. AtomX SSDmini drives are more compact than standard SATA SSDs and offer an affordable alternative to an SD card of similar capacity or performance. Ninja V supports removable SSD drives which provide the space and sustained performance to meet these needs. The ability to record up to 6K using advanced edit-ready formats including ProRes RAW, ProRes, and DNxHD/HR requires fast, robust, and expansive storage. Optional via ATOMOS CONNECT or AtomX SDI modules Ninja V is designed to maximize the quality of your videos and allow you to extend every aspect of your creative vision. Additionally, if you’re shooting Log footage, the ability to bypass internal compression will offer the best possible dynamic range. Ninja V can record more color information and immediately add value to your production with your existing camera rig. If the camera is able to output video via HDMI, the quality can often be preserved in a 4:2:2 8-bit or 10-bit format. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. ![]()
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